When Tom Lyle launched Maybelline Cake Mascara in 1915, he didn’t opt for a generic or technical name like “Lash Darkener” or “Eye Tint.” Instead, he honored Mabel’s role by blending her name with “Vaseline,” the petroleum jelly she’d used. This choice was both practical and sentimental:
Origin Story: “Maybelline” instantly tied the product to a real person’s ingenuity—Mabel’s kitchen fix. It wasn’t a faceless invention; it was a sister’s solution turned commercial. Sharrie often emphasizes this on X, calling Mabel the “heart” of the brand’s beginning.
Catchy and Unique: The name rolled off the tongue, distinct from competitors like Revlon or Max Factor, which leaned on founders’ surnames or sleek modernity. “Maybelline” had a quirky, feminine charm, easy to say and hard to forget—a branding win from day one.
This naming impact gave Maybelline an emotional hook, setting it apart in a nascent cosmetics market.
Branding Identity: Relatability and Warmth
Mabel’s name infused Maybelline with a personality that shaped its branding for decades:
Everywoman Appeal: “Maybelline” suggested a friend or family member, not a cold corporation. Early ads—like mail-order pitches in 1917 or drugstore posters in the 1920s—didn’t need to explain the name; its softness implied accessibility. Sharrie’s X posts frame Mabel as an “everywoman,” and the name carried that vibe, making Maybelline feel like a beauty tip shared over coffee.
Contrast to Rivals: While brands like Coty or Helena Rubinstein evoked European sophistication, “Maybelline” was American, homegrown, and approachable. Mabel’s naming impact grounded the brand in a relatable narrative, balancing Tom Lyle’s Hollywood glamour push with a down-to-earth feel.
This made Maybelline a brand women trusted, not just admired—a direct legacy of Mabel’s name.
Marketing Advantage: Memorability and Versatility: The name “Maybelline” became a marketing asset Tom Lyle wielded across media, amplifying its impact:
Catchphrase Ready: In radio jingles of the 1930s—“Maybelline, Maybelline, make your eyes a dream!” (a plausible recreation)—the name’s rhythm shone. It fit slogans like “Eyes that Charm” or “Maybelline for Lovely Lashes,” giving ads a lyrical punch. Sharrie’s nods to Tom Lyle’s “showman” flair suggest he loved how Mabel’s name sang.
Visual Pop: On packaging—tins in the 1920s, tubes in the 1930s—the word “Maybelline” stood out in bold script. Its uniqueness avoided confusion with generic “mascara” labels, a clarity Mabel’s name enabled.
Longevity: The name aged well, adapting to the 10-cent mascara (1932), waterproof pitches (1950s), and Great Lash (1971). Mabel’s naming impact gave it flexibility—glamorous yet practical, a duality Tom Lyle exploited.
This versatility turned “Maybelline” into a household word, a branding triumph traceable to Mabel.
Emotional Resonance: Family Legacy
Mabel’s name tied Maybelline to the Williams family, a subtle but powerful branding layer:
Authenticity: The story of Mabel’s lash fix, baked into the name, gave Maybelline a genuine origin. Customers didn’t know her face, but “Maybelline” hinted at a real woman’s touch—unlike fabricated brand tales. Sharrie’s X posts and The Maybelline Story amplify this, casting Mabel as the family muse Tom Lyle immortalized.
Family Pride: For Tom Lyle, Chet Hewes (Mabel’s husband), and later Sharrie, the name was personal stakes. It motivated quality—every tin or tube had to honor Mabel’s spark. This emotional weight kept the brand cohesive, even as it grew.
Mabel’s naming impact made Maybelline feel like a family heirloom, not just a product—a rare branding edge.
Cultural Staying Power
The name “Maybelline” outlasted its humble start, proving Mabel’s impact endured:
Global Recognition: By 1967, when Tom Lyle sold Maybelline to Plough Inc. for $135 million, the name was iconic. L’Oréal, which bought it in 1996, kept it intact—proof of its equity. Mabel’s name traveled from Chicago kitchens to worldwide shelves.
Pop Culture Echoes: Chuck Berry’s 1964 song “Maybellene” (a variant spelling) nodded to the brand, cementing its cultural footprint. While not about Mabel, it showed how her name had seeped into the zeitgeist.
Mabel’s naming impact gave Maybelline a timeless ring, adaptable yet rooted.
Limits of Her Role
Mabel didn’t choose the name—Tom Lyle did. Her influence was passive: she inspired, he branded. After 1915, she stepped back, raising her kids while Tom Lyle built the empire. She died in 1975, long after the name’s impact peaked, her role a fixed point Sharrie keeps alive.
Sharrie’s Lens: Mabel as Naming Legend
Sharrie Williams doesn’t dissect the name’s mechanics, but she calls Mabel “Auntie Mabel,” the accidental genius behind “Maybelline.” In The Maybelline Story, she frames the name as Tom Lyle’s love letter to his sister, a branding choice that “stuck because it was real.” Sharrie’s nostalgia underscores Mabel’s lasting mark.
The Big Picture.
Mabel’s naming impact was unintentional but transformative. “Maybelline” gave the brand warmth, memorability, and a story—tools Tom Lyle used to conquer catalogs, radio, and beyond. Without her name, Maybelline might’ve been just another mascara; with it, it became a legend.